エヴェリン・タオチェン・ワン　EVELYN TAOCHENG WANG

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1981年中国生まれ。中国で絵画を学んだ後、フランクフルトのStädelschuleを卒業。2012年より、De Ateliers（アムステルダム）のレジデント・アーティストとして2年間滞在。現在はロッテルダム在住。

主な展覧会に、「60th Venice Biennale」Giardini（ベニス）、個展「An Organic Day -有機的な一日」KAYOKOYUKI（東京、2024）、「恵比寿映像祭2024」（東京都写真美術館、2024）、個展「HET LICHT IS ROND」Dordrechts Museum、（ドルトレヒト、2023）、個展「参差的対照 An Equivocal Contrast」Rockbund Art Museum（上海、2023）、個展「HORIZONS」The Museum of East Asian Art in Cologne（ケルン、2022）、個展「Four Season of Women Tragedy」Art Institute of Chicago（シカゴ、2022）、「We, on the Rising Wave」釜山ビエンナーレ（釜山、2022） 、個展「Reflection Paper」　Kunstverein für die Rheinlande und Westfalen（デュッセルドルフ、2021）、個展「Sour Gnossiennes」Museum Abteiberg（メンヒェングラートバッハ、2020）、個展「When I sought her along the river, she stood in the middle of the water」KevinSpace（ウィーン、2020）、「Risquons-Tout」WIELS（ブリュッセル、2020）、「Globale Resistance」Centre Pompidou（パリ、2020）、「In the Presence of Absense, Proposal for the Museum Collection」Stedelijk Museum Amsterdam（アムステルダム、2020）、個展「Spreading Elegance」FRAC Champagne-Ardenne（ランス、2019）など。ABN AMRO Art Award（オランダ、2019）、Dolf Henkes Prize（ロットルダム、2019）のほか、Dorothea von Stetten Award、Volkskrant Beeldende Kunst Prize（ドイツ、オランダ共に2016）受賞。

ABN AMRO Art Collection（オランダ）、Art Institute of Chicago（シカゴ）、Bonnefanten Museum（マーストリヒト）、Centraal Museum（ユトレヒト）、Centre Pompidou（パリ）、Stedelijk Museum Amsterdam（オランダ）、FRAC Champagne-Ardenne（ランス）、NOG Collection/Stichting Beheer SNS REAAL（オランダ）、Museum Abteiberg Mönchengladbach（メンヒェングラートバッハ）、Museum of Modern Art (MoMA、ニューヨーク)、Museum Voorlinden（ワッセナー）、Wassenaar、The Rockbund Art Museum（RAM、上海）、Dordrechts Museum（ドルトレヒト）、Stedelijk Museums（アムステルダム、スヒーダム）、国立国際美術館（大阪）収蔵。

• An Organic Day -有機的な一日 / 2024.1.13 - 2.11
• Norwegian Music in Dutch Window -オランダの窓中にあるノルウェーの音楽 / 2022.6.24-7.31

Alice and Eyeshadow, 2022, acrylic, mineral color, tea water, red wine, color pencil, and artist's seals on paper 113.5 x 93.5 cm

Cheshire Cat and Quarrel between Woman and Man, 2022, mineral color, acrylic, pencil, metallic color, tea water on calligraphy paper, 113.5 x 93.5 cm

Two, Five and Seven painted White Roses into Red Roses, 2022, mineral color, acrylic, artist's seals on paper 113.5 x 93.5 cm

Sea of Alice Tears, 2022, mineral color, artist's seals on paper 113.5 x 93.5 cm

Sisters Breaks Men's Wear Luxury Watch in a Very Sunny Day, 354 x 97.5 cm

Dutch Window in Afternoon Sun, 2021, ink, pigments, artist seals on mounted paper, 75 x 48.5 cm

Dutch Window in Moonlight, 2021, ink, pigments, artist seals on mounted paper, 75 x 48.5 cm

Dutch Window in Rainy Football Stadium, 2021, ink, pigments, artist seals on mounted paper, 75 x 48.5 cm

Gek op Je, 2021, ink, pigments, seals on mounted paper, 63.5 x 45 cm

Hygiene Me, 2021, ink, color, acrylic, seals on mounted paper, 100 x 80 cm

Mentale roep in harde architecturale wind, 2021, pigments, calligraphy ink, acrylic, and seals on mounted paper, 73 x 48 cm

My Love, 2021, ink, color, acrylic, seals on mounted paper, 70 x 60 cm

Scooter, Whatsapp en Zonnescherm, 2021, ink, pigments, tea, seals on mounted paper, 50 x 74 cm

Waited too Long, 2021, ink and color on paper, 45 x 48 cm

Untitled ( "I know you have already left, and it didn't surprise me." ), 2018, ink on rice paper, white bedding cotton, grey cotton, threads, and drawing pin, 117 x 55 cm

Red Rose Shirt, 2017, ink and acrylic on rice paper, mounted on rice paper, 56 x 36 cm

Blue Rose Shirt, 2017, ink and acrylic on rice paper, mounted on rice paper, 55 x 37 cm

Black Rose Shirt, 2017, ink and acrylic on rice paper, 50 x 33 cm

Yellow Rose Dress Walking in Graveyard, 2017, ink and acrylic on paper, mounted on paper, agnes b dress, 94 x 87 cm

Virginia Woolf on Riverside, 2017, ink on paper mounted on rice paper, agnes b white and black pattern dress, 98 x 180 cm

Exhibition view, Four Season of Women Tragedy, 2017, Galerie Fons Welters, Amsterdam, Netherlands
Photo Gert Jan van Rooij

Save my baby first, 2017
Exhibition view, Four Season of Women Tragedy, 2017, Galerie Fons Welters, Amsterdam, Netherlands
Photo Gert Jan van Rooij

Jogging on Rotterdam Harbour, 2017 & Reading on Rotterdam Harbour, 2017
Exhibition view, Four Season of Women Tragedy, 2017, Galerie Fons Welters, Amsterdam, Netherlands

Summer, 2017, wood, agnes b dress

Exhibition view, Four Season of Women Tragedy, 2017, Galerie Fons Welters, Amsterdam, Netherlands

Exhibition view, Allegory of Transience, 2017, Frans Hals Museum | De Hallen Haarlem, Haarlem, Netherlands
Courtesy Galerie Fons Welters. Photography by Gert Jan van Rooij

The Interview, 2017
Exhibition view, Allegory of Transience, 2017, Frans Hals Museum | De Hallen Haarlem, Haarlem, Netherlands
Courtesy Galerie Fons Welters. Photography by Gert Jan van Rooij

Performance, Two Sights of the Elegant Mysterious Unearthly Princess Kaguya & Her Beggarly Nurtured Aristocratic Life Before She Flies Away With a Shining Ship, 2015, Stedelijk Museum Amsterdam, Amsterdam, Netherlands
Photography by Ernst van Deursen

Performance, Two Sights of the Elegant Mysterious Unearthly Princess Kaguya & Her Beggarly Nurtured Aristocratic Life Before She Flies Away With a Shining Ship, 2015, Stedelijk Museum Amsterdam, Amsterdam, Netherlands
Photography by Ernst van Deursen

Performance, Two Sights of the Elegant Mysterious Unearthly Princess Kaguya & Her Beggarly Nurtured Aristocratic Life Before She Flies Away With a Shining Ship, 2015, Stedelijk Museum Amsterdam, Amsterdam, Netherlands
Photography by Ernst van Deursen

Performance, Two Sights of the Elegant Mysterious Unearthly Princess Kaguya & Her Beggarly Nurtured Aristocratic Life Before She Flies Away With a Shining Ship, 2015, Stedelijk Museum Amsterdam, Amsterdam, Netherlands
Photography by Ernst van Deursen

Exhibition view, Massage Near Me, 2015, Kunstmuseum Bonn, Bonn, Germany
Photography by David Ertl

Untitled No.1, 2016, acrylic on canvas, 100 x 150 cm

Performance, Massage Near Me, 2015, Kunstmuseum Bonn, Bonn, Germany
Photography by David Ertl

Exhibition view, Massage Near Me, 2015, Kunstmuseum Bonn, Bonn, Germany
Photography by David Ertl

Exhibition view, Massage Near Me, 2015, Kunstmuseum Bonn, Bonn, Germany
Photography by David Ertl